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Still Life With Holofernes by Ellen Boyette

“The dead looked dead, the living looked alive.” Blood on the terrace lost to its body, body elsewhere lost but only seven percent or so the first thought came. Left the scene in hopes to catch a breath of ice smog between draws for bargain price, to virtue, the label lay its claim. Across whose thresh hold and at what hour can I, in the unseeing, see? In shades of pre dawn but post-slumber to which I was not privy. Blood on the terrace where, like every name told me over the night, passed as though wax sealed, the I becomes irrelevant to the gestures it makes. Just nod to look interested I swore I would but on a choke chain necklace kept my pride, matched the dress formal enough for cocktail attire. All floor gaze in dog tag Adornment, fatigue motif hinted in the shift. No shit I couldn’t engage the civilians, could only see myself in name brand spec reflections. Couldn’t but trace the flight of translucent globes in miniature from champagne flutes to become nothing-- or what there was worth toasting. Room packed, conquest quarantined within. Gun blank expression proved too self -involved to shoot off song titles some face claimed played across our shared presence at a past time. I didn’t ask to be this way. Left the scene, standing how many erect necks now above the bustle? Above how many apartments that I could, for a lark, occupy by the hour and water -mark with blood as my own? Still life goes on on the first terrace I step to out of this long night, brim -stone hearth-sat sulking. I wish I had a robe. A butcher’s knife, a torn out canto, a Caravaggio: shrapnel motifs I paint in memory of what occurs in the here-now on a stranger’s porch frame in sliding door relief. I touch my coat and the touch dries rough as impasto on print. The loss my own, or not, I can’t tell. When I swallow where my neck would be, it not so much as ripples air. A nosebleed, a severed head, a hang -over. What difference could it make to look down in blackout? My jeweled hand, I call her Judith. On this high terrace, this once neckline, Holofernes. Suicide of the social follows the body at war with mind. None can sever the light from the light-headed only shouldered.




Ellen Boyette is an MFA candidate at the Iowa Writers’ Workshop, where she is a Teaching-Writing Fellow and an editorial assistant for The Iowa Review. Her work appears at LEVELER, poets.org, Tagvverk, and Flag + Void.